PROTOFIC

“Do you have any idea how long I’ve thought about it?” Nana slips a finger between the buttons of your shirt. "You, me - us?“

And here, you actually, truthfully do not want to know.

So, go ahead, cue up the sound of a mental rolodex spinning out while you start to list the very real, very valid, very adult reasons you should never, ever put your hands on her. (1) She’s too young for you, (2) you’re kind of a community figure, or at least someone who has to appear to be one, and more pertinently (3) she was your student not long enough ago - in your ethics class, the irony of which is not lost on you - and that makes it the kind of dirty, low thing you’d feel guilty for even masturbating to. Let alone actually attempt to live through, no matter how insistent some parts of you might be to the contrary, a point emphasized by the pressure of her finger against the dip just below your sternum.

"These… oh, how should I call them.” Nana hums softly just before easing a bit of distance between the two of you, head tilting like she’s in a trailer for this summer’s romcom, and not, you know, trying to drag you into hell. “Filthy little fantasies?”

-

You’re a high school teacher, interdisciplinary. Sometimes history, other times philosophy, you’ve also taught math - and once, egregiously, home economics when the faculty member whose usual duties consisted of teaching the class was out on a very sudden and scandalous maternity leave. But it’s your love of literature that finds you in a bookstore near enough to the high school to sell more used copies of intro textbooks than actual novels.

You’re paging through a book you’d say you’re considering buying - if any of the store staff were to push the question onto you - when she appears at the other end of the fiction aisle.

You catch the look first of her dyed hair, this perfect shade of chocolate, to the edges, the fade-to-brown, cascading over where a more formal shirt would ostensibly have shoulders.

She smiles; it’s pretty.

Then, you make the mistake of glancing down and seeing the modest rise of her chest beneath a crisp-collared sleeveless top; all your typical college-age tells but for the red flannel, rolled back down around her waist. Her fingers, long and thin, dangle from where a uniform button-down would taper off around her wrist, thumb rubbing lazily at her forearm. The briefest glimpse of her nails, all done up in acrylic - perhaps the most potent way to show contempt for an old dress-code.

You have, admittedly, also noticed the length (appropriately, the lack thereof) of her pleated skirt and those frilly stockings that ride so far up the creamy curves of her thighs that it has your stomach rolling and tightening when she shuts closed the book in her hands and says -

“Isn’t it weird how most of the novels in the romance section are written by women?”

- she speaks with a slow deliberateness, like she’d only ever hoped to find one of her old teachers alone and slightly vulnerable in a used bookstore -

“Like, how do you think a man would even go about writing those kinds of stories?” She grins, because maybe this isn’t really a question at all - not one meant for you, certainly. And for one wild moment, the rush of relief (she’s not actually talking to you), then panic (she’s actually talking to you.) surges through you.

But then the girl pushes another couple books along the shelf and continues.

“Because I’ll tell you what, Professor - all this stuff,” a flip-flip-flip of her fingertips against a leathery dustjacket, “about just feeling it, not being able to control it. It’s all women, always women.” Another wave of her hand to set another row of spines a-shuddering. “Do you ever think maybe people will get tired of listening to girls talking about feelings when what they really need to see is what guys would do?”

There are so many reasons you should turn and run.

So many little flags, flickering wildly in your mind. This is one of your students. Was it this fall? Maybe the last; she had sat front-center. Never slept in, was one of your best by several measures - not simply in regards to the simple repetition of classroom work, but by her insistence on getting in the kind of heated discussion where one might dig their fingers through the innards of your lectures. Not just good - fantastic.

“Nayeon,” you end up saying, flat as your suddenly paper-dry mouth can make it - with just the tiniest hint of unease. “It’s been a while, hasn’t it?”

And almost as if she knows that you’re trying not to let your eyes dip any lower than the collar of her shirt, her shoulders do that lilting little move (hiking up and away just so), the one that your girls tend to learn a long, long time before your boys ever manage to figure out. She laughs out this pleasant sound, adds: “not that long, sir.”

“Well,” you’re clearing your throat, looking around the bookstore like it might contain a way out, and eventually landing somewhere on her skirt, “you know how fast it all goes.”

“Nana, by the way.”

“I’m sorry?”

“Nana,” She gently corrects you again with this mischievous slant to her smile, and you start remembering: all the gossip and rumors, how she was being courted by these talent-scouts and labels. A prodigy, or as close to it as anyone from this town could ever get.

Your eyes are starting to sting again when she, this perfect-fit model of your worst impulses, runs her hand through her hair, tugging at the roots a little bit, a silver wristwatch falling slightly down the perfect length of her forearm. It almost hurts not to reach out and steady her. And it definitely shouldn’t, but it has you breathing a bit faster. The rationalization: you are a man, and there is a perfectly ordinary part of you that might be aroused by any amount of smooth, inviting skin. That’s fine. You’re fine.

“Just for the record,” Nana starts, still looking like she wants to put a hand forward and hook one long fingernail into the buttons of your shirt. “You were, like, absolutely one of my favorite teachers.”

“I guess it’s nice to hear I’m not a complete lost cause,” you say.

She snorts. “Oh, definitely not.” And maybe because, after all of the years you have been teaching these soon-to-be lawyers, politicians, and doctors, you’ve come to not look down on them for saying the wrong things so much. Though you do envy their absolute ability to say the wrongest of things - just so - just on purpose.

“Are you,” you nod at the thick stack of paperback novels that she is still holding, and with which, suddenly, she’s bashful and flustered - this perfect shade of pink blossoming through her cheeks. “Actually here to buy those?”

The response: a demure little shrug. A drawl. “We all have our vices, professor.”

“I’m not your teacher anymore,” and remembering at the last moment, “Nana, you can drop the honorifics, please.”

She holds a book out, cover turned toward you, and your mind stalls - even your fingers slip a little where they are resting on the spine of your own paperback purchase. The title is an affront to literacy, and the art on the cover seems to have been produced only with stock photos, gaudy.

“Have you heard of it?”

“Can’t say that I have.”

“Well,” she laughs and has the courtesy not to lay it at your expense, “it is so good.” Then, without missing a beat, she twists her lips together, and finds the book flush against your chest. “I’m sure it beats reading textbooks and essays about the merits of Locke and Hobbes’ life-after-death stuff all day, anyway. An hour if you can spare the time? I’d love to hear your thoughts on it”

And - ah, there it is. The push.

-

There is a zero percent chance that, after any of this, things will end neatly for either of you.

You still wonder, slightly, how long Nana will keep up the charade before breaking character - because there’s no way in hell she doesn’t see what she’s doing: wrapping you around her pretty fingers, her shiny, manicured nails, twisting every chance you get to reject her into an excuse to linger that little bit longer.

But it’s well over an hour spent at the cafe-end of the bookstore, where she orders an iced-coffee and fills you in on the details you don’t really need to hear, what she’s been up to these last couple semesters - playing twenty questions; questions about other faculty members, the school, if the school newspaper is still anything like it used to be (for the record: no), then coming back to if you’ve been seeing anyone lately. That last one slips in so naturally you can’t stop yourself from taking a slow drag off of the straw in your drink and answering: “not recently.”

Because no honest deed goes unpunished, or however the saying goes.

“Hey,” her hands splay out over the tabletop, pushing the cold, condensing water of her glass, smudging where a finger drags a line through the pool.

Maybe she knows. How you’re already caught, and there’s no going back, which is to say you’re perfectly free to watch, hungrily, where her throat moves, and then where her lips part.

“I’ve got the perfect thing for that,” and for one unhinged, hysterical moment you picture it, Nana: lying back against a counter or maybe in the cushions of a sofa, panties thrown carelessly over her shoulder; heaving out this soft, heady gasp. You: pushing inside of her for the very first time, both of your legs bracing, the heel of her foot pressed into the small of your back - but before you can convince yourself that she can’t be talking about that, and just barely before the air gets stuck in the back of your throat and you realize that you might be so thoroughly, tragically fucked -

“Read this.” A snap back into the here and now. She is looking at you very pointedly, not naked - but beautiful and perfect as she leans a bit into the table and crosses those lovely, lovely legs of hers, and tilts the copy of that awful, awful filth at you.

“Nana, respectfully, this is drivel,” you say, immediately and plainly, listening to Nana laugh out loud as you glean more than you need to know from the info on the inside cover. “They’ve crossed like five major genre boundaries for a hook-up. Why should anyone bother?”

“Come on.” She waves it off with a careless gesture of her hands. “There’s plenty of things to like. Maybe you should give it a chance - broaden your horizons, teach. Besides - the sex scenes?” She rolls her shoulders with the same shrug you remember watching so carefully all those times she made her way, out of the hallways and back into that front-and-center-seat she was always occupying whenever the bell rang. “So filthy. I can show you one of my favorites.”

“Doesn’t really seem like appropriate reading material for -”

“You said it yourself,” her voice has a bright, saccharine tone, just on the right side of strained. And between sips of that straw stuck in the purse of her pert, little mouth, she draws that next sentence - the ice cracking, thinning under your feet -

“Not my teacher anymore.”