PARAMOUR

“I need you,” Hyewon says in the uneasy dark of a hotel room, with two urgent fistfuls of your shirt, “need you to do to me all the things my husband never will.”

“Yeah, I know,” you tell her, “you said that,” and her eyebrows move in all the wrong directions, “I’m just wondering if, you know, maybe we should give him a little more credit.”

-

Here’s the truth:

Hyewon doesn’t believe in leaving evidence behind and you don’t find it particularly productive to doubt her; you’ve been talking in code for years. Parts and pieces of yourselves reduced down and bottled into set phrases that, to anyone else, would be totally incomprehensible.

“i’ve been thinking,” she texts you, which you’ve come to understand means she’s already made up her mind, “maybe we should do that thing we were talking about. tonight.”

(You’re not always so fast on the uptake.)

You send two back two texts, both of which ask “which thing?” because the hallway from the breakroom to your desk has poor reception and it never lets you send just one.

Then, right after you cross the threshold between signal-drowning-concrete and the glitzy glass-walled arboretum they’ve built to make you feel like you’re not a total cog in their corporate machine, your phone pings the receipt of Hyewon’s reply: a picture - her laptop, propped up on your coffee table with its screen angled for perusal, of a booking site that’s filtered to show results for their ‘king bed & view’ room at a midrange hotel a forty-five-minute ride from your apartment.

“not really doing much narrowing down here hyewon.”

She replies to you - her text bubble appearing over another couple still images, of herself in the vanity mirror as she curls her hair around her finger and holds this little black slip of a dress over her shoulder, black lacy lingerie in tow, the whole nine - with:

“i’m feeling kinda adventurous.”

-

Five o’clock rolls around but you never really do figure it out. You spend the last three hours at work deciding which kink of hers (oh, does she have a few) this is all in service to.

There’s nothing overtly sexual about her pics in the first place - not more than usual anyway, more showing off her curves and cut jaw than showcasing anything for her 'adventurous’ intent. So that can’t be the tell - you’d seen her in a corset once (you can’t unsee it) and the angle of her hips to the mirror makes you think that if she was planning on pulling on a  pair of crotchless panties then she probably would’ve found her thigh high stockings, too.

You try and think of what the two of you had even talked about when discussing these little scenes - how many times you’d ended up 'in the mood’ during or after such a meeting of the minds, how it’d snowballed from there, a whole list of filthy what-ifs that she’d probably put more thought into than you ever have - but you draw a total blank. It could be any of a number of things.

Until,

“i left you instructions on the kitchen island,” reads a text on your phone which you definitely don’t check while you’re driving -

And then it hits you.

“ah.”

“yeah, 'ah’,” she replies.

-

A quarter past seven at the hotel bar is way too early for any real promiscuous activity, but then again, you’re here playing at pretend and half the fun of games like this is in the setup.

Meet me at the bar, your instructions read, introduce yourself, and play it by ear.

There’s some couples at the other end, some friends downing shots by the round, people musing over their aperitifs, and a woman sipping alone at the bar - Hyewon, appearing to you from the back first:

The pointed edges of her shoulders narrow out over this tiny cocktail dress that somehow covers less of her than if it weren’t there at all, skin tight, accentuating even her softest curves. She has her hair fixed a particular way - teased enough to flip at the ends but still a single sweep down her shoulders, pulled together softly by a ribbon in the back, tied like a fantasy, allowing a wispy strand to fall to her face - glossy and dark and glowing to this rich, deep mahogany where it’s cast in the lamplight.

The line of her throat, of her chest. Where her hips meet her waist in a rounding flare. The effort and beauty she’s gone to, for you - that she puts in every day just because she knows it gets your attention, can do more than turn a head or two; Hyewon’s appearance is almost indifferent of you, only coincidental, but she puts on a damn good act.

(You look a lot more worn in comparison: jacket thrown over dress shirt and khakis, tie loose at the neck. Standard office attire with just a step-outside-regulation. Disheveled.)

A drink, you suppose - approaching the bar to try and catch the bartender’s attention to order a single malt.

But if Hyewon’s been waiting long, she doesn’t complain when you pull into the stool beside her and sit for a long moment.

“Do you mind if I join you?” you say over a pair of politely folded hands - and that’s generally where her 'instructions’ end.

The look she fixes you with is just this unashamed smoldering, her body language this contradictory kind of lazy - cool, like her night was going exactly the way she planned but she still had places to be.

“It depends,” she replies, one slender finger curled around the stem of her martini glass - which historically, is a drink she hates. “Who’s asking?”

“Just me,” you offer, letting the gesture and your tone leave it up to her. And then slowly, perhaps awkwardly: “ostensibly a complete and utter stranger who knows a gorgeous woman when he sees one - and who could never pass up a chance to see how the rest of her is.”

“Smooth.”

“I guess it is, considering you didn’t immediately run for the exit.”

Hyewon nearly snorts.

“Hard not to.” She tilts her head back at you, assessing. Her cheeks are rosy pink. “A handsome thing like you doesn’t usually buy themself a girl’s time with flattery -”

“Buy your time or your drinks?” you tease, and you can tell she wants to roll her eyes - but she keeps them carefully lowered. Eyelashes dipping down like blackened fans.

Hyewon shifts slightly, resting her chin onto the heel of her wrist like she’s leaning against an imaginary windowpane and tipping her face a little sideways. It makes you smile. “One gets the other, if you catch my meaning.”

Maybe it takes you a little too long to lift your gaze off her lips to find her eyes, or off the sweeping curve of the hemline sitting high across her long legs, but she watches you for just a breath. It’s a more telling moment that she pretends she doesn’t know you.

“You can look at me if you like,” and then without further preamble, she introduces herself with a slight tilt of the head and an expectant expression: “call me Hyewon.”

You figure that if you’ve gotta say one word to get the ball rolling you want to say her name, and as a little revenge for forcing you to think on this scene and think on what to say, what your character would say, how exactly she wanted you to go about 'meeting’ her in a hotel bar, how her fucking scenario’s been building up in her head for god-knows-how-long (even though, in the scheme of the two of you and your relationship, it’s nowhere close to being the most demanding sex you’ve had), you reply simply with:

“Pretty.”

It’s satisfying, how she hesitates - pausing a little longer on your face to gauge exactly what you meant. Studying. But the next beat of your heart - or hers - is effortless, easy.

“I know. That’s what my husband calls me.”

“Husband?” You keep yourself from raising an eyebrow. “And I don’t suppose I’m also… married?”

“Different day, different you.”

“Meaning I have a wife or a mistress of my own,” and you flick your wrist at the barkeep for a top-up of what’s in front of Hyewon. “You’re telling me I’m the kind of man who’d only settle for two.”

It doesn’t sound quite right, though Hyewon picks up on it. Doesn’t let on. “Aren’t men like you always? Charming to a fault, but always voracious - insatiable, especially with women like me.”

“Women like you.”