PRAXIS

“A girl could walk in and mistake this for an affair,” you remark, and Irene smiles up at that.

The sound of city traffic underneath your open window makes for an uncertain backdrop - though the browns of her eyes glimmer caramel in the dying light. Something sweet, the beginnings of an addiction if you’ll let her.

“A girl could walk in,” Irene says, “but, she never does.”

It was not a good idea, of course, to keep doing this where the whole world could see, where your shadows and silhouettes make lurid shapes against the blinds, but your office is small and the lighting is soft and Irene keeps pushing up onto her tiptoes, pressing you flat against your desk, trying to kiss you, and you won’t be able to stop her - or want to, not when she’s already leaning into you with her arms loose around your hips, her eyelashes heavy, her mouth a pink line of want against her smile.

It’s inevitable, maybe.

Here’s what they might catch in the exact moment, in a not-so-distant memory:

Your heartbeat, quiet and slow and distant, like there’s too much blood for it in your veins, your skin electric-pulsing underneath Irene’s, the feel of her leg hitched up your waist, your hand wound tightly in her ponytail. The tiny sigh of a smile at the corner of Irene’s lips, like you’re tickling her somehow - you’ll stop if she really wants you to, but - she doesn’t. She never does.

Why wouldn’t we want to be mistaken for something? is what you’re supposed to hear; she’s too haughty, too proud. Someone could catch you. She’ll never come out and admit, just what would anyone do, if they did?

So yeah. It’s complicated.

You give a little, Irene pulls back. You do your damndest not to push. You hate how goddamn easy it is to convince yourself of anything, everything - whatever the lie. Irene isn’t ignoring you. She doesn’t ignore the texts you send her. You don’t need to make plans more than two hours in advance. Mixed signals are such a misunderstood phenomenon: she can just be shy, sometimes. Maybe she doesn’t want to intrude. She was nervous, but she felt really fucking good on top of you - maybe next time, the guilt will be a bit less for both of you.

It’s just sex, she says once to you after; there’s no strings attached. How could it get ever more perfect than that?

-

(And she’s right. You know she’s right, or at least you very well should.

See, you’ve been talking for hours about how you shouldn’t be talking for hours on end. Kissing her after a conversation you’d had around the fact you’d both be better off as friends.

So how’s that gonna sound, anyway? Here, go on, try saying it:

Bae Irene? Yeah, met her on the subway - that’s the story, the reason you know her; you got on a train one day and she was the prettiest person there. You were both headed to the same place. You’re just not sure when that’s gonna change.

And well, the way you see it: you’d feel so much lighter, like a feather, with her off your mind.)

-

To be candid, you can’t really pin down how any of this started. The logistical details, sure. However the suggestion, the sex, the seclusion - these things, not so much.

Somedays, if you squint, it plays out rather predictably. You’ll be going about your business, a particularly average day everything considered, or - well, mostly. Today, there are just the two minor caveats:

First off, your key grinds in the lock when you jam it in. That part is pretty normal, but to your surprise, the door is already very much open.

So, that’s odd, you think. That’s very odd. You slide inside, cautious, and as you call out an even more cautious “hello?” you realize all the lights are on - so either you’ve been robbed or are currently in the state of being robbed by someone with suboptimal visual acuity. A disability-washed-burglar. Not to minimize crime, of course, but that’d be interesting, you think, or representative perhaps? Maybe.

Alternatively,

Irene’s let herself into your apartment again. It’s quite plausible.

She’s not great at the whole ‘asking permission’ thing, though she swears every time it’ll never happen again. You peek around your foyer: there’s her coat, her heels, her shirt, a handbag - all strewn about the hall like she’d been raptured and left a delicate trail of destruction, which does sound a lot like the Bae Irene you’ve known forever.

(Okay, six, seven months isn’t forever - but you get the gist; the general principle still applies.)

Now another, horrifying option is that both theories are true, simultaneously. A home invader has in fact gotten to Irene. In the middle of robbing the place. How terrible, how awful, how genuinely macabre, what a genuinely-

“Yeah, hey,” you hear, followed by a heavy, sloshing thunk. “Welcome home or something.”

Sure enough, as you enter the kitchen you spy your truly awful vision being confirmed. One of them, anyway. There is your incredibly hot (this is in reference to Irene), extremely fashionable (same boat as before, honestly), dangerously intelligent (yes) and notorious rulebreaker of an (it really bears emphasis on how hot and fashionable and stylish said rulebreaking often is) acquaintance as per her standard. Irene. A roguish and impossibly captivating conglomerate of trouble with a mild attitude and perfect posture; as a collection, she’s a collection you want, a package you intend to keep, an accessory you’d die for. That, and a kettle on the stove apparently, so she can make you tea while you languish on the floor, and you could live like that forever, or so the dream goes.

Also right, the second caveat: there’s the robbery. She’s stolen a button-up out of your closet.

And look - she’s actually so much prettier than she has any business being. Hair up in a messy bun, lips painted light. Nail polish starting to fade. She’s still in her nylons and a tight little pencil skirt and you can’t really complain. You’d need to be legally dead.

“Hi,” Irene says, and the burner sputters to life. “Where’d you go?”

“The bank. And then I had to return books,” you say, shucking off your jacket. “You know, I wasn’t aware anyone else was living here.”

“Excuse you,” Irene replies. She turns, leans her forearms on the counter; the shirt buttons are misaligned, but she makes it look like a stylistic consideration - how the sleeves are pushed past her elbows and the neckline has already slipped down one of her dainty shoulders.

She has your clothes. She has an irritatingly winsome half-smirk. The clock above the stove says it’s barely even 9 PM.

“Do you get your mail forwarded here, too?” You shuck off your jacket. “To further clarify, why not call first? Maybe text? Hell, smoke signals could do.”

“Because it’s a hell of a lot easier to ask you for forgiveness,” Irene tells you, knowing, “asking for permission gets me nowhere,” and then grabs a mug from the cupboards. She seems to know where everything is already. “I don’t know why you get so bothered about it, honestly, what should I do? Call you and say, wow, babe, I am planning on letting myself into your apartment, sorry, yeah, I was thinking we could - ah fuck - you know what, I am irreparably, incomprehensibly horny.”

“Nice vocab.”

“Thanks,” Irene says, beaming, and even tips up her chin to show it.

You notice that you actually match right now, since it is, technically, your shirt. Sure, your collar’s a little stiff - and she’s barely able to keep the fabric from folding and spilling over her lithe frame, but that hardly matters. It’s so ungodly hot. She could wear anything - or, probably, nothing, if you’re being honest.

And you are, mostly.

So you pad into the space right behind her to tell her some truths, the things you think - but she spins on her heel before you get the chance to grab her, which is a pity; you’d love to do that, maybe just push her flat to the wall. You know, if she’d let you. She would. Probably. You’d ask, definitely, but you’re thinking you wouldn’t even have to.

Irene crosses her arms. The collar keeps slipping. You see her collarbone, smooth. She is flawless, no fucking wonder. You are almost terrified of her at times.

“How do you know I’d have said no?” you ask, and it sounds a little sweet - then there’s you noticing an old bruise along her throat, where her shoulder dips down; that was probably your doing, probably from this week, last Saturday maybe? Her skin seems softer somehow, looks like her makeup was fresh at the beginning of the day and the end of the night, that kind of evening smudging. She’s smiling with her nose crinkling up.

She doesn’t react when you press in closer.

“Really.” You’re waiting for her. Probably waiting for her to kiss you, to reach up on her toes and latch her wrists behind your neck, to reach her mouth to yours - though, she doesn’t. Her breathing picks up, so it’s almost like she doesn’t have to, she’s smiling at you so sharply. It’s a rare win for restraint as far as your apartment is concerned.

“So then where lies the issue?” she asks, and then she simply waits on this smoldering sort of glance.

You can’t help the laugh that follows. “I mean it’s the principle of the thing.”

Irene hums at that. She glances to the side. Toward the windows, back to you, and then all over your face.

“Then, allow me a principle,” she finally says, staring straight at your mouth, real subtle-like. “Yes, I’m going to keep coming here. Probably a lot. I mean, unless you have an actual issue you’d be hardly one to talk: Mr. Keeps Do Not Disturb Active At All Fucking Times. I bet you’re the last person to go through their voicemails, too.”